Selected image from “Savage Iconographies: Art, Race and Public Space from Roger Williams to Barack Obama”
taught by Patricia Felisa Barbeito and Noah Fischer (Sculpture).
Stephanie Canlas, Farhan Mian, Genevieve Marsh, and Engie Suh, “Landscaping and Redesigning Prospect Park,”
Stephanie Canlas, Farhan Mian, Genevieve Marsh, and Engie Suh, “Redesigning the Roger Williams Statue,”
Work from Contemporary Poetry and Material Poetics
Emma Baker, “Orlando,” for Mairéad Byrne’s Material Poetics
Esther Hong, “Folded Poems + Papers,” for Mairéad Byrne’s Contemporary Poetry
Si Huang Cong, Final Portfolio, for Mairéad Byrne’s Contemporary Poetry
Wesley Chau, “Color Concealment,” for Mairéad Byrne’s Material Poetics
Sound Work, Various Classes
Caitlin Hettich and Jenny Lai, “Duet Interpretation of Presto Movement in Kurt Schwitters’ Ursonate,” (2.54)
for Mairéad Byrne’s Sound Poetry.
[soundcloud id=’57743983′]
Jenny Lai, “Sound Storytelling [narrative performance of spontaneous drawing],” (3.44)
for Mairéad Byrne’s Sound Poetry
[soundcloud id=’57744098′]
Katie Ross, “Untitled,”
for Mairéad Byrne’s Beginning Poetry Workshop.
[soundcloud id=’57743373′]
Aditya Dutta, “Samson,”
for Mairéad Byrne’s Advanced Poetry Workshop.
[soundcloud id=’57744264′]
Lauren Allegrezza, from “Nantucket Recordings: Aqua, Blush, Midnight, Charcoal, Bone,”
for Mairéad Byrne’s Material Poetics.
[soundcloud id=’57746584′]
Emily Dunne, “Moby Dick, the opera”
Jonathan Highfield’s Literature Seminar: Design in Words