Selected image from “Savage Iconographies: Art, Race and Public Space from Roger Williams to Barack Obama”

taught by Patricia Felisa Barbeito and Noah Fischer (Sculpture).

Stephanie Canlas, Farhan Mian, Genevieve Marsh, and Engie Suh, “Landscaping and Redesigning Prospect Park,”

Stephanie Canlas, Farhan Mian, Genevieve Marsh, and Engie Suh, “Redesigning the Roger Williams Statue,”

Work from Contemporary Poetry and Material Poetics

Emma Baker, “Orlando,” for Mairéad Byrne’s Material Poetics

Esther Hong, “Folded Poems + Papers,” for Mairéad Byrne’s Contemporary Poetry

Si Huang Cong, Final Portfolio, for Mairéad Byrne’s Contemporary Poetry

Wesley Chau, “Color Concealment,” for Mairéad Byrne’s Material Poetics

Sound Work, Various Classes

Caitlin Hettich and Jenny Lai, “Duet Interpretation of Presto Movement in  Kurt Schwitters’ Ursonate,”  (2.54)

for Mairéad Byrne’s Sound Poetry.

Jenny Lai, “Sound Storytelling [narrative performance of spontaneous drawing],” (3.44)
for Mairéad Byrne’s Sound Poetry

Katie Ross, “Untitled,”
for Mairéad Byrne’s Beginning Poetry Workshop.

Aditya Dutta, “Samson,”
for Mairéad Byrne’s Advanced Poetry Workshop.

Lauren Allegrezza, from “Nantucket Recordings: Aqua, Blush, Midnight, Charcoal, Bone,”
for Mairéad Byrne’s Material Poetics.

Emily Dunne, “Moby Dick, the opera”
Jonathan Highfield’s Literature Seminar: Design in Words